Yes, itsan enormously crowded season, both on and off Broadway, and one cant see everything.
Tickets are priced reasonably enough, and I dont think there is a bad seat in the house.
Why will Americans care?
Nahel Tzegai, Jackie Clune, and the company ofGrenfell: in the words of survivorsat St. Ann’s Warehouse.
Never disputed is the brilliance of this heartbreaking, mind-boggling, angering dramatic work.
Was it even covered in the American media at the time?
ButGrenfellcommands our attention because it is as much an American story as a British tragedy.
The company ofGrenfell: In the words of survivors
(Arconic was part of acivil settlementwith survivors, family, and locals in 2023.)
I hesitate to recap the plot.
They counted on the people of privilege in charge of their well-being.
Joe Alessi, Dominique Tipper, and Houda Echouafni inGrenfell: In the words of survivors
Thinking aboutGrenfell, I remembereda remarkable piece of writing on Trump that I read inThe Guardianthis winter.
US culture is an incubator of extrinsic values, wrote George Monbiot.
Nobody embodies them like the Republican frontrunner.
Extrinsic values are also one of Americas greatest exports: the marketing of insecurity and the individuation of blame.
On both sides of the Atlantic are bills dealing with homelessness.
Grenfell: In the words of survivorsis playing through May 12 at St. Anns Warehouse in Brooklyn.
