The collection was called Act.
Was Marco De Vincenzo perhaps considering a career U-turn into the performing arts?
Not yet, he joked.
Its that in my role as Etros creative director, I feel torn between authorship and interpretation.
Its a constant struggle that sometimes takes an emotional toll, yet its deeply generative.
The masks are a symbolic manifestation of this inner turmoil.
But De Vincenzo is keen to experiment, and he feels confident and mature enough to chart new paths.
De Vincenzos take is much more radical and unapologetic.
Ive felt the need to raise the bar, said De Vincenzo.
