So, we got to talking about tits, as you do, says Young.
You dont like them much, do you?
He looked a little sheepish, and then whispered: No.
Photo: Filippo Fior / Gorunway.com
They spoil the line.
Sumptuous flesh for sumptuous clothes.
There was so much to look at.
Photo: Filippo Fior / Gorunway.com
But I latched onto the models, toddling and scraping down the runway, the padded hips swaying.
In contrast, Gallianos non-straight size models were used as assets.
Their figures were used for mood, frames exaggerating the clothes, curves aligning with the shows historical references.
Photo: Filippo Fior / Gorunway.com
Their presence felt neutral, the opposite of checking a box.
Seeing non-straight size models purely for artistic purposes is so refreshing.
More designers should just let them be weird, like the waifs.
This show wasnt made so one can see oneself, says writer Zsofia Paulikovics.
Its to see literal art.
Perhaps this is a lesson others could internalize.
Here, the female body is experimented with in the form of material objects.
This is a new way of working for Galliano.
My Jewish mother will have a heart attack when she sees this article.
There is no defense for Gallianos actions.
No one else can be Galliano, which is probably a good thing.
The female body is like any other body, Alexander McQueen once said.
It has lumps and bumps and you make the most of it.
Listen toVogueeditors delve deeper into the show on this episode ofThe Run-Throughhere.
