And I thought, this is a chance for catharsis.
Its a chance for honoring her point of view.
Its three protagonists, as theyre written, and three antagonists, as theyre written, Gleason says.
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Theyre two very, very fine, skilled actors who dig deep.
Nothings just on the surface.
We come off the stage and we are in each others arms every night.
Andrew Barth Feldman and Joanna Gleason in Manhattan Theatre Club’sWe Had a World
You cant fake that, and you cant force it.
And it was kind of like a full-circle moment.
For a shaky career choice, it had more stability than life seemed to have at that time.
Jeanine Serralles and Gleason inWe Had a World
On first embedding in New Yorks art scene
It was a great finishing school.
They knew about art.
I am just a hayseed from California.
Robert Morse and Michele Lee in the 1967 film adaptation ofHow to Succeed in Business Without Really Trying.
Ive got to pay attention, because the vibe is fast and smart and sophisticated.
I had an apartment I was renting for $250 a week.
Something in me just said, This is where I want to live.
I had never lived anywhere remotely like it.
I bought it for $125, and I still have it today, 48 years later.
And shes the first one who said, Ill tell you how to do it.
And then I directed for Lifetime.
And she, it turns out, lives down the road.
So theres providence, theres plausible magic, everywhere.
We Had a Worldrunsthrough May 11.
