A design by Sarah Brunnhuber, Stem.
A sculpture by Jens Ole Arnason.
Gannis absence fromCopenhagenFashion Weeks schedule right now is big news.
A design by Sarah Brunnhuber, Stem.
For a decade now the brands runway presentations have been the must-see anchor of the ever-growing and standard-setting season.
So, again, Ganni not being on the schedule is a big deal.
I think the best answer is that we are definitely not going to leave shows.
A sculpture by Jens Ole Árnason.
We are coming back to that format, said Reffstrup on a call.
The team has created a collection as usual, which will be shown by appointment.
The exhibition, notes Reffstrup, is very close to the Ganni DNA.
Jens Ole Árnason created an art piece using leftover Ganni fabrics.
Weve been doing a lot of collabs [among them withEster ManasandPriya Ahluwalia.
Its not only us giving, it also goes the other way around; its super inspiring for us.
Its like a talent incubator, but with fabrics, notes Reffstrup.
A detail of Jens Ole Árnasont’s sculpture.
At this current moment, we have some 30 different partners that were speaking to.
The gallery tour starts below.
Jens Ole Arnason created an art piece using leftover Ganni fabrics.
Sisse Bjerre created a design made from paper and Savian by BioFluff.
A detail of Jens Ole Arnasonts sculpture.
Its a kind of three-legged draped vase…. What is the mission of your brand/practice?My work is about investigating the space between art and design.
Sisse Bjerre created a design made from paper and Savian by BioFluff.
A close up of Sisse Bjerret’s dress.
A close up of Sisse Bjerrets dress.
It allows me to work more freely with form and material.
See Sisse Bjerres undergraduate graduation collection.
Sarah Brunnhuber worked with her own leftover yarns in a zero waste process that also gives new capabilities to wool.
Whereas standard woven fabrics are rigid, these are flexible and can be worn across a variety of sizes.
And the fringes and silhouettes are an expression of Stems zero-waste production technique.
Large brands in particular need to take responsibility for the waste they create.
Sarah Brunnhuber.
And we should collaborate and share knowledge more.
Amalie Rge Hoves design.
The integration of the knitted and woven is a new direction for us.
Amalie Røge Hove worked with Fabrics of The Future, InResST, CIRCULOSE® and combined post-consumer recycled wool yarn from Omega yarn mill, a mill Ganni has used to produce beanies, with her own leftover yarns.
See more from A. Roege Hove.
The birdcage, traditionally representing freedom, becomes a container for contemplation.
I want the audience to pause and reflect, encouraging thought without narrating a specific story.
Amalie Røge Hove’s design.
Its a lifelong commitment to understanding the world around me and within me.
Social injustices weigh heavily on my conscience, given the limited opportunities for people with my background….
I feel a responsibility to speak up.
Sahar Jamili created a sculpture piece featuring a cage based on their recent workInsight Outthat was shown at Kunsthal Charlottenborg . This version of the sculpture will be filled with Ganni waste that would usually be sent to I:CO, the brand’s recycling center presenting a visual commentary on overconsumption within the fashion industry.
Advocating against social injustices, I hope my art can maybe serve as a voice for those often unheard.
Alectra Rothschild worked with Fabrics of The Future Oleatex bio-based alternative and CIRCULOSE denim.
Alectra Rothschild,right.
Alectra Rothschild worked with Fabrics of The Future Oleatex bio-based alternative and CIRCULOSE® denim.
It is very much high and low that clashes.
Its a high-femme glamorous take on the illustrator Touko Valio Laaksones fetishized Tom of Finland homoerotic gay character.
My practice has always referenced fetish and erotica.
Alectra Rothschild,right.
What are the defining characteristics of your work?That everything can exist together in all its contradictions.
My mission is to carve out a space where trans people like myself are centered and the norm.
And of course to tell stories that can resonate with people at large.
Nicklas Skovgaard designed a dress using Savian by BioFluff, Oleatex bio-based alternative and CIRCULOSE®.
See more from Alectra Rothschild / Masculina.
Nicklas Skovgaard designed a dress using Savian by BioFluff, Oleatex bio-based alternative and CIRCULOSE.
Nicklas Skovgaard
What did you dream up for the exhibition?I created an ankle-length coat.
Nicklas Skovgaard.
The sleeves and bottom are made from black curly BioFluff, a bio based fur substitute.
What are the defining characteristics of your work?Volume, silhouette and contradictory fabrications.
How would you like the industry to change?To allow for more time.
See more from Nicklas Skovgaard.
Interviews have been edited and condensed for clarity.
