As for his curation, Kappeller tellsVoguethat the team let the building drive the exhibition.
It became clear that were not going to change this into a white-cube gallery space.
Others draw on the buildings architecture through site-specific murals and installations.
An installation view of Andrea Bowers’sClimate Change is Real (Global Climate Action Summit, San Francisco), 2018 (at rear), at The Campus.
Theres also emphasis on artists outside of the six galleries rosters who are local to the Hudson Valley.
An installation view of Sanya KantarovskysRegression, 2024.
Several artists made use of objects that immediately connote academia.
The Campus’s inaugural exhibition, up through October 27, is open on Saturdays and Sundays from 12 to 5 p.m.
Miguel Calderon,Secundaria #4, 2003.
8 x 30 in (22 x 78 cm).
Up-and-coming talent is also given ample space through a partnership with NXTHVNs Cohort 05 Studio and curatorial fellows.
An installation view including Raymond Saunders’sTitle to Follow 15, 1993-1994 (at left) and works by Jenny Holzer.
Founded by artists Titus Kaphar and Jason Price, NXTHVNs annual fellowship supports and mentors underrepresented artists and curators.
(All three are American artists.)
An installation view including Adrian ArmstrongsA Gathering of the Congregation, Austin, TX Chapter, 2024.
An installation view of Sanya Kantarovsky’sRegression, 2024.
The gallerists, too, are optimistic.
We certainly believe that the sum of us is greater than our parts, says Bortolami.
Francesca Kaufmann of Kaufmann Repetto doubles down on that sentiment.
Miguel Calderón,Secundaria #4, 2003. Inkjet print. 8 x 30 in (22 x 78 cm).
An installation view including Adrian Armstrong’sA Gathering of the Congregation, Austin, TX Chapter, 2024.
A sculpture by Maren Hassinger
